Celine Dion returned to the stage Saturday in Nanterre, west of Paris, playing her first full concert since stiff person syndrome ended her touring career in 2020. The Quebec singer’s 2-hour-and-15-minute set, her first of 16 shows over five weeks at the Plenitude Arena, drew a sold-out crowd of some 30,000.
It was the singer’s first full concert since March 8, 2020. She was diagnosed in 2022 with stiff person syndrome, a rare, progressive neurological disease that stiffens muscles and can cause spasms violent enough to break bones. She canceled the remaining dates of a world tour and went quiet.
Few in the crowd doubted she could still sing. The question was whether she could get through a whole show, and then get up and do it again a few nights later. Dion answered in three words after the encore: “Je vais bien.” (“I’m doing fine.”)
“When she hit that note, I grabbed my friend’s arm. I’d been holding my breath without realizing. Then I started crying. ‘She’s back. She’s really back,'” said Élodie Marchand, 42, a primary schoolteacher from Nantes.
The encore was “All By Myself,” the song Dion’s voice has been measured against since 1996. She hit the high F, held it, then blew out a breath and turned to look back at the band.
She cried before she finished the first song. In a Dior gown and a Boucheron necklace, she pressed her hands together in prayer, then missed her cue in “On ne change pas,” on the line about the skinny little girl from Charlemagne, Quebec.
“I promised myself I wouldn’t cry,” she said. The crowd answered by chanting the riff from “Seven Nation Army.”
She said she had learned to live with the fragility and made it her reason to keep going. Then she sang for another two hours.
The voice has lost some of its top; it is not the instrument that sold 250 million albums. Every big note is now a decision she makes in front of 30,000 people. She took most of them. She sang “My Heart Will Go On” and “The Power of Love,” then Catalani’s “Ebben? Ne andrò lontana” , Maria Callas’ signature aria , in pink feathers while fake snow fell. Her disease attacks the larynx. She went for it anyway.
Willo Perron’s set put her among gray megaliths, a pop Stonehenge. An 18-voice gospel choir came on in robes.
Michelle Obama watched from the seats. Outside, fans wore sashes reading “Celine Dion 2026,” like beauty pageant winners, and T-shirts from the LVMH house that shares her first name.
“My daughter kept saying, ‘Mum, we can’t go all the way to Paris for Celine,'” said Isabelle Gagnon, 52, a teacher from Montreal. “Tonight my daughter was singing beside me, and I thought: you see? This is why we came.”
“In Montreal, you grow up knowing those songs whether you mean to or not,” said Antoine Beaulieu, 31, a graphic designer. “I used to pretend I was too cool for Celine. Tonight I knew every word, so clearly that was a lie.”
Camille Morel, 38, a pharmacist from Lyon, put her phone away. “I wanted to actually be there,” she said. “My voice is completely gone. I’m supposed to be working tomorrow , good luck to them.”
After the encore, she closed with two Jean-Jacques Goldman standards and a last line to the room: I love you, my loves. Take care of yourselves.
The last time France saw her sing, it lasted four minutes. At the Olympic opening ceremony in July 2024, Dion sang from the Eiffel Tower , one song, one night , and the world called it a resurrection.
It had taken her 2,379 days to get back. She has 25 more nights to go: 16 shows in this run, with 10 more booked for May 2027.
Reporter at DukeCityWire, covering the city beat.